Serbian director Miroslav Terzić’s third feature, debuting in the main Karlovy Vary competition, starts with a high-school trip to Bulgaria: “I wanted to provoke the audience. … I did not want it to be forgotten” right away.
‘Five Years, Four Months’ Review: Moving Portrait of a Grieving Colombian Mother Demonstrates an Impressive Control of Tension
Thousands of people in Colombia have been “forcibly disappeared”, as the euphemistic expression goes, since conflicts began in the mid-1960s between the Colombian government and various paramilitary and guerilla groups.…







