I have lost patience with the sector’s talk of diversity when it refuses to acknowledge those people who can’t afford to keep playing

I’ve spent most of my adult life working in classical music – for the past 18 years as the co-founder and conductor of the London Contemporary Orchestra (LCO), an organisation I’m stepping down from today. During that time, I have found myself increasingly angry at how much harder it has become for someone without money behind them to build a life in the sector.

There used to be a route in. As a child from a working-class background, I could pick up an instrument at a state school, get cheap lessons through the local, council-backed music service and play in youth orchestras (borrowing a viola because my family couldn’t afford one).

Robert Ames is a conductor and composer

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